Children's adventure sequel to the Disney 'Buddies' series spin-off movie 'The Search for Santa Paws' (2010). New puppies Noble (voice of Aidan Gemme), Hope (Tatiana Gudegast), Jingle (Marlowe Peyton) and Charity (G. Hannelius), known as the Santa Pups, sneak into Mrs. Claus (Cheryl Ladd)'s sled when she is leaving for Pineville. While there, Mrs. Claus and the pups discover that the festive spirit is fading and they must work together to save Christmas.

Disney Channel musical sequel in which Ross Lynch and Maia Mitchell reprise their roles as a teenage couple. Having previously found themselves trapped inside Brady (Lynch)'s favourite film 'Wet Side Story' during their summer holiday, he and girlfriend Mack (Mitchell) are now back in the real world. However, they become distracted when they return to school and decide they may be better off breaking up at least until next summer. But when characters from the movie, including the leads Tanner (Garrett Clayton) and Lela (Grace Phipps), turn up in their world they have to work together to get the cast back to where they belong. Brady and Mack come to realise that if they don't succeed the movie that brought them together might not exist, meaning they won't have ever met...

Cult horror directed by David Cronenberg. Frank Carveth (Art Hindle)'s wife Nola (Samantha Eggar) is being treated at an institute run by the eccentric psychologist Dr Raglan (Oliver Reed), who is known for using bizarre techniques to break down defensive barriers in the psyche of his patients. After Nola's parents are brutally killed and his daughter returns from a visit to her mother covered in bruises, Frank comes to suspect that his wife and Raglan are up to no good. What he discovers is stranger still: a group of cloned midgets, apparently spurred on by Nora's psychopathic rages, are responsible for the attacks. Since no one else will believe him, it is up to Frank to try and put an end to the violence...

Sea, Sky, Land: Towards a Map of Everything brings together a selection of paintings and sculptures by world renowned artist Enrique Martinez Celaya, from 2005 to the present. Following his installation of Schneebett at the Berliner Philharmonie in 2004, Martinez Celaya's work has undergone significant transformation while remaining intellectually and emotionally ambitious, connecting art to philosophy, literature, and science. This book, a companion to the exhibition at the USC Fisher Museum of Art in Los Angeles, shows Martinez Celaya's work of the last seventeen years as an artistic, poetic, and intellectual mapping of an existential landscape the artist crosses in a search for meaning. Sea, Sky, Land: Towards a Map of Everything, co-edited in collaboration with the artist, includes over 120 illustrations; an introduction by Selma Holo; essays by Susan M. Anderson, Alexander Nemerov, Elizabeth Prelinger, and Ed Schad; poetry by Mark Irwin and David St. John; and an interview with the artist."

Modern Japanese exhibits apparently irregular allomorphic behaviour amongst a subset of bimoraic S ino]-J apanese] morphemes, those with a final mora in -/ki/, when appearing as the initial morpheme in a SJ bimorphemic compound whose second morpheme is /k/-initial. Detailed examination of synchronic and diachronic written corpora concludes that what is being witnessed is not irregularity as claimed in previous research, but homomorphemic diffusion, a process akin to lexical diffusion operating on a homomorphemic level. The independent status of homomorphemic diffusion is lent further weight by the phenomenon's conforming to Bybee's (2000, 2001, 2002) and Phillips' (1998, 2001) theories that higher frequency lexemes (here homomorphs) tend to be affected earlier and more thoroughly in the case of reductive sound changes. When all the evidence here presented is examined, homomorphs appear to be behaving in lexical diffusionist terms just as individual lexemes or morphemes might be expected to.

Through poems of witness, species and habitat extinction, war, pandemic, technology, history, and race, Mark Irwin's elegant collection of poetry explores the collision between metropolis and wilderness, and engages with forms of spirit that cannot be bound. With the incursion of electronic communication, our connections with one another have been radically distorted. Irwin's poems confront what it means to be human, and how conflict, along with the interface between technology and humanity, can cause us to become orphaned in many different ways. But it is our decision to be joyful. Excerpt from "Letter" Times when we touch hope like the hem of a cloud just as when we touch a body or door, or think of the dead come back, romancing us through the warp of memory, lighting a way by luring . . .

Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor. Discussing how changes in electronic communication and artificial notions of landscape have impacted form and content in poetry, Monster redefines the idea of what is memorable and original through a broad range of poets including John Ashbery, Anne Carson, Thomas Sayers Ellis, Forrest Gander, Peter Gizzi, Jorie Graham, Robert Hass, Brenda Hillman, Laura Kasischke, W. S. Merwin, Srikanth Reddy, Donald Revell, Mary Ruefle, Arthur Sze, and James Tate.

Mark Irwin's poetics are a direct descendent of Rilke and Hart Crane. His poetry is propelled by charged rhythms and a haunting music. "An impeccable craftsman, Mark Irwin writes with a lyrical urgency that somehow combines the brilliance of Valery and the natural ease of observation of William Carlos Williams." --David St. John

Mark Irwin is the author of four previous collections of poetry, two of them with BOA. Among his literary awards are National Endowment for the Arts and Ohio Art Council Fellowships, two Push-cart Prizes, the James Wright Poetry Award and a Fulbright Fellow-ship to Romania. He lives with his family in Denver, Colorado, and spends a part of each year on a wilderness ranch in the San Luis Valley.

Mark Irwin In White City," Mark Irwin makes stunning jumps in imagination to create poetry that is Rilkean in conception and execution and speaks to America at the end of the 20th century. Irwin's vision for America is as broad as Walt Whitman's while his language is propelled by changing rhythms, lush music and fresh imagery.

Poetry. TALL IF is Mark Irwin's sixth collection of poetry. Mark Irwin's poetry and essays have appeared widely in many literary magazines including The American Poetry Review, The Atlantic, Georgia Review, The Kenyon Review, Paris Review, Poetry, The Nation, New England Review, and the New Republic. The author of five previous collections of poetry, The Halo of Desire (1987), Against the Meanwhile, Wesleyan University Press (1989), Quick, Now, Always, BOA (1996), White City, BOA (2000), and Bright Hunger, BOA (2004), he has also translated two volumes of poetry, one from the French and one from the Romanian.